Moving visuals on this page — measured at 0.26% brightness change per frame and zero flashes per second; your reduce motion setting stops them. What moves, and how it was measured

Mathematical plates that draw themselves — prime counts, orbits and lattices rendered live rather than shipped as pictures. It runs continuously while on screen, and it pauses on its own whenever it scrolls out of view.

We measured it rather than guessing: the largest frame-to-frame change in average brightness is 0.26%, and it produces zero flashes per second against the threshold of three set by WCAG 2.3.1. That is well under the limit, and it is not a promise about any individual: if moving images are a problem for you, you should not have to assess ours.

Everything animated on this site honours your system’s reduce motion setting — turn it on in your operating system or browser and these pages stop moving, with nothing else lost. All the mathematics is in the text and the still figures.

Entry 1 of 1 in Sound Play with itIllustrative

The Notebook, sonified Sound

Real results, heard instead of read

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Dev: the Web Audio API directly — one oscillator and a gain envelope per note, no external library, nothing to vendor or self-host. Math: pitch is chosen live by the v₂ factor count the Collatz stepper computes, whose density over odd numbers is exactly geometric (2−k) — the melody traces a real probability distribution, not a random-number generator dressed up to sound meaningful. Musician: an 11-note A minor pentatonic across two octaves, chosen so no degree the live data can select ever forms a semitone or a tritone with the others. Off by default — audio only starts on your click, never automatically.

Every note below is triggered by something that actually happened: a Collatz step taken, a prime found, a delivery landing in the factory, a work shift the mascot clocked. Nothing is sequenced in advance. Turn it on and leave this page open in a tab — what you hear is The Notebook working.

The events it listens for are dispatched by the exhibits themselves, so the more of The Notebook you have open, the more there is to hear.